KITLV is pleased to announce the launch of ‘Atelier KITLV: Experimental Knowledge in Art, Activism, and Academia’. Atelier KITLV crafts a space for cross-over experimentation between academics, artists, activists, writers, and journalists.To this aim, we will work in close collaboration with Amsterdam-based atelier and art organization Framer Framed and other organizations.
What does social or historical engagement imply for a work of art? And how might artistic approaches lead academics to formulate new questions and cultivate new, engaged modes of research? The debate whether art should be created for its own sake, or whether it should have a socially or politically relevant role, is salient and will always remain; in the present-day turmoil of shifting global powers, identity politics, emancipation, climate change, and a raging pandemic, this question seems more acute than ever. On the other hand, the importance of creativity and empathy in the social sciences and humanities is academically acknowledged, but also constrained by a commitment to empirical research, legitimation and referencing. Why do we do what we do? When and why do we stand our ground? When and why do we break with convention?
Atelier KITLV is inspired by a longer standing interest in exploring colonial structures of knowledge – in which the institute was founded – and in seeking for ways and forms of decolonizing knowledge. At the same time, it is motivated by a need for an atelier in its own right, a place defined by experimentation among artistic and academic professionals in search of new methods, perspectives, and approaches. Concerned also by the funding crisis in the creative arts caused by the Covid 19 pandemic, we moreover hope to open up a conversation and exploration towards new engaged, mobile and creative forms of knowledge to understand and visualize societal and historical problems. Thereby it hopes as much to contribute to as to learn from artists, curators, writers, journalists, and activists engaging locally and transnationally with urgent matters of past and present, including racism, violence, differentiated citizenship, environmental degradation, and climate justice.
Atelier KITLV encourages and enables scholars working in the area specialisations of KITLV, i.e. Southeast Asia and the Caribbean world, as well as colonial and postcolonial history, and professionals working in the artistic and journalistic field, to collaborate and to learn from each other. It urges exploratory interventions into pressing societal debates and interrogations of dominant political or epistemic authority. It stimulates open, experimental approaches toward questions about human behaviour, meaning, data, and interpretation, creating opportunities to explore, and cross, the boundaries between different, socially, culturally or professionally determined ways of knowing.
To this end KITLV will establish an artist in residence program for one or more fellows, working, in close collaboration with KITLV researchers, on the intersections of arts, social sciences and the humanities. KITLV also organizes intimate conversations between the creative and academic disciplines, exploring questions regarding (unfinished) difficult pasts and pressing socio-political matters today; on how and why we have been approaching them the way we do, and on how, whether and why we can and would like to make a difference.
Marieke Bloembergen (co-chair)
Esther Captain (co-chair)
Alison Fischer
Francio Guadeloupe
David Kloos
The painter Sawangwongse Yawnghwe at work in his studio. Photography: Dev Benegal.
Artist in Residence (2022) Theo Hutabarat working on the painting Anonim, which is now hanging on the wall in KITLV's conference room.
Trailer of the fictional documentary Nests of Basalt, Nests of Wood by Atelier by artist in residence Clara Jo in 2023.
The Atelier KITLV-Framer Framed Artist in Residence program aims to sponsor and support concrete, innovative, provocative, and societally relevant projects. Artists in residence work on urgent topics at the intersection of art and culture, academic research, and scholarship in the field of Southeast Asian and/or Caribbean Studies, and in relation to (post)colonial theory and discourse. The recipient will receive a €10,000- grant to realise the project. For each residency there will be an open call.
Photo: Mirelle van Tulder (Artist in Residence 2024) at Framer Framed. Photo courtesy of the artist.